![]() ![]() BreatheĪ ghost story about a girl who only appears when you hold your breath. Killer Kart from FSUCollegeOfMotionPictureArts on Vimeo. Slightly along the lines of Invasion Of The Body Snatchers, but with a more modern feel.įour wheels, one basket, and tonight for the closing crew of a small-town grocery store. It's not just children who can be creepy. Two brothers run from a vampire-like monster. There are no ghosts or demons, just a portal and a bit of primal fear. This short film is creepy for a completely different reason than all the others on this list. Go on, click on play.Ī man working late one night stumbles across a website that will supposedly tell him how he dies if he answers its questionnaire. This short film is an adaptation of a classic short story many of us know well. It has an amazing build-up and will make you glance over your shoulder after watching, even if you're watching it in daylight. Del Toro gives an introduction to the video, so skip to 0:50 if you just want to watch the film. This is the short film that inspired Guillermo del Toro's horror movie of the same name. This film plays on the uneasiness we feel when wake up at night in bed. The video and story both do a great job of taking something as comforting as a smile and turning it into something sinister.Ī woman gets a call that makes her question her safety in her own home. A man takes a late night stroll and encounters an unsettling stranger. This film is based on a story on the subreddit 'Let's Not Meet'. So what if we told you that short horror films pack in more of a metaphorical punch than a full length feature? What if we told you that these are some of the scariest, bone-chilling, award-winning horror films ever? And what if told you that you can watch all of them, right here?ĭim the lights, snuggle into the blanket, and make sure you have someone with you. We're renting out our apartment back home to a friend and are staying in an apartment in Hollywood for now.We all love spook-fests! Whether we get scared or not is secondary, but we all love the idea of watching horror films. We still have no idea what our future will be. We've been in this country for a year and a half and I'm directing my second movie. We've only been home for christmas since. So we just had to lock our front door, Lotta quit her job (I was pretty much unemployed anyway) and we flew over. "The movie is happening, can you be here next week?". It was last march that we finally got the call. Once they were on board Lawrence flew me and Lotta out to LA to meet everyone but we still didn't know if the movie was happening or not. He was the one who got James Wan on as a producer and Eric Heisserer as a writer. ![]() ![]() One of them was producer Lawrence Grey who wanted to develop it into a feature. I started getting emails from all these people in Hollywood after the short went viral. If people hate the movie I'll just blame the writer :-) ![]() None of the other ones were shot that way.ĭirecting scripts by others feels great. I wanted to shoot Annabelle 2 with anamorphic lenses but was told no. Since this is a franchise there are things they don't want to change. I'm sure it's crazy doing a $200m Marvel movie or something. It's still a low budget by Hollywood measures so I guess they don't worry too much. I was surprised by how much freedom there was on Lights Out though. The answer is after the camera operator says "set".Ĭreative freedom feels about the same. There's like all these things before then like "roll sound, sound speed" etc. The storytelling aspects are the same and even things like lighting are the same principles as when you're lighting with ikea lights.īefore we started shooting I had to take the assistant director aside and ask him "so when do I say action?". Just a lot of stuff about how movie sets work.
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